The story of Little Orphan Annie has been a part of popular American culture for nearly 100 years, from comic strips to radio programs, Broadway and the Silver Screen. Practically anyone alive who grew up in this culture has been exposed to the eternally optimistic little girl who, though penniless and parentless with a hard-drinking child-hating orphanage den mother and an awfully tough cohort of orphans as her posse, insists the sun will come out tomorrow.
When aging widow and retired school teacher Daisy Werthan — a stubborn, wealthy Jewish woman in 1948 Atlanta brought up to take care of herself — can no longer drive, her son Boolie hires “colored man” Hoke Coleburn to be her chauffeur, and what quietly unfolds could only be born of that particular time and place.
Madelaine Lane spends her days in an office tower overlooking Calder Plaza, defending people for Warner, Norcross & Judd.
Entertaining tourists and locals for a century, the historic Howmet Playhouse in Whitehall lights up with live theater every Thursday, Friday and Saturday for eight weeks during the summer.
There are no program notes for Saugatuck Chamber Music Festival performances. Instead, musicians tell the stories behind the compositions directly to the audience before playing the piece.
A July celebration of African American art and culture in Kalamazoo's LaCrone Park is part of an ongoing mission to expose West Michigan residents to a culture rich in diversity.
Deavondre Jones just wants to do two things: Dance and inspire others. With DanceSpire, the 23-year-old is doing just that, combining motivational speaking and dance routines to reach high-school and college students around the state.
Nearly 60 years after Buddy Holly’s tragic plane crash death Don McLean proclaimed “the day the music died” in his pervasive ’70s hit “American Pie,” The Barn Theatre has magnificently brought both Holly and his music back to life in “Buddy: The Buddy Holly Story.
In “All in the Timing,” David Ives’ 90-minute collection of six comic sketches, time circles back on itself, language is meaningless, monkeys as would-be Shakespeares overcome the death stare of the blank page, and the entire enterprise of human communication, not to mention the meaning of life and death, are called into question.
The word “magic” often gets thrown around in the theatre world, and rightfully so. When the right script and talent come together in the right time and place to positively transfix the right audience, there’s no doubt an extraordinary amount of work; but there’s also an indescribable element of magic. And when all those conditions collide at once it is a rare event indeed.
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