Rodgers and Hammerstein’s “The Sound of Music” is so stacked with classic songs that even seeing them all listed together dizzies the head — “My Favorite Things,” “Maria,” “Do-Re-Mi,” “Sixteen Going On Seventeen,” “So Long, Farewell,” “Climb Ev’ry Mountain,” the title piece about the hills being alive with … well, you know.
The International Chopin Piano Competition has launched the careers of many internationally-renowned artists.
It’s slightly jarring to see the Kalamazoo Civic Theatre mainstage completely exposed as director Todd Espeland’s “To Kill a Mockingbird” begins: At first, there is nothing on the stage except a dozen or so empty chairs.
Contrary to what Midwesterners often think, we do speak with an accent. And it’s a funny one at that, depending whom you ask.
It’s achieved by “talking as though your lower jaw has fallen off and you have to form words with the rest of your face,” according to Edward McClelland.
So the author explains in his new book, “How To Speak Midwestern,” which is both a cultural history of and field guide to the varieties of speech throughout middle (real?) America.
Fantasy has always been near and dear to Josiah Swanson’s heart. In fact, the director, producer and founder of the Muskegon-based WhiteShore Films lists The Lord of the Rings as one of his biggest inspirations for becoming a filmmaker.
At first glance, you might wonder how the work of S.E. Hinton could possibly connect with today’s teens. Something of a trailblazer in the 1960s, Hinton was barely out of high school when she sold “The Outsiders,” a strikingly honest look at high school life and gang rivalries that her publishers feared would be overlooked if critics knew it was written by a woman (the initials stand for Susan Eloise).
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