The five women who perform Kalamazoo’s New Vic Theater’s Big Night Out sing old standards, Broadway classics, as well as songs from more contemporary musicals, and through them, offer what they describe as “a celebration of life.”
The tranquil smile Rhea Olivaccé wears as she sings an aria masks the sweat equity she puts in before every performance.
It’s common to see people dancing and singing along at Mariachi Vargas de Tecalitlán shows. According to Julio Martinez, a harpist who has performed with the band for 22 years, it’s also not out of the ordinary for audience members to cry. The range of emotion Mariachi Vargas elicits is the result of a masterful balance between 120 years of tradition and innovation within their art form.
It’s not often one attends a string quartet concert and hears witty banter among the players, much less a description of the next arrangement as “an Italian sandwich” or “almost like a tiramisu.”
Madelaine Lane spends her days in an office tower overlooking Calder Plaza, defending people for Warner, Norcross & Judd.
There are no program notes for Saugatuck Chamber Music Festival performances. Instead, musicians tell the stories behind the compositions directly to the audience before playing the piece.
Years ago, conductors were aloof, intimidating figures on their onstage platforms. But when Raymond Harvey became the music director of the Kalamazoo Symphony Orchestra 18 years ago, he knew his role required more and embraced the position as a community resource.
Cellos and violins have become instrumental in the creation of a safe harbor for the children of refugees who have relocated here from countries like Syria, Egypt and Lebanon.
Peter Perez has been a magnet for uncommon musical experiences his entire life. From conducting his youth festival orchestra as a youngster to requesting that his upstairs neighbor, Placido Domingo, “please rehearse louder,” such experiences have led him to his new role as the Grand Rapids Symphony CEO.
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