Linda Boston said she remembers when discussions about menopause used to happen in whispered tones.
In an age of effortless access to music of all kinds, exploring the commonalities between seemingly disparate music styles is one way to make sense of it all. Violinist Gene Hahn and cellist Jeremy Crosmer are doing just that, deconstructing the stigmas associated with different genres through their acoustic string group, ESME.
David Shannon’s work has appeared in publications like The New York Times, Time and Rolling Stone, but he found a true calling by going back to his childhood roots.
Supermarket stationary aisles are rife with cards cheekily announcing 40th birthdays as the harbinger of old age, the demise of youth, and the decline of usefulness. Meanwhile, the Urban Institute for Contemporary Arts (UICA) is choosing instead to celebrate its 40th birthday as a milestone of achievement, with two massive exhibits celebrating diversity and representation.
For emerging artist Michelle Martin, events like Wine About Winter provide confidence, exposure and even some commission work.
Aspiring playwrights will find themselves face-to-face with audience feedback once again during Theatre Kalamazoo’s 7th Annual New Play Festival.
Nobody could accuse the Kalamazoo Civic Theatre of opting for safe, reliable productions after its decision to stage Side Show — a musical based on the true story of conjoined twins Daisy and Violet Hilton who became famous in the 1920s for performances that highlighted their unique lives.
Peter Kjome’s history with the Grand Rapids Symphony goes back to 1990, when he first joined the organization as a musician. But it’s his time as president and CEO that Kjome will be remembered for when he steps down in January to embark on a similar role with the Baltimore Symphony Orchestra (BSO).
Art Martin never minded pounding nails into the wall, but for now, he’ll put down the hammer and settle into a more scholarly and public role at Muskegon Museum of Art.
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