Bound for Peru — and untold adventures in the rainforest — Heartless Bastards’ frontwoman Erika Wennerstrom doesn’t have to explain why her blues-fueled rock ‘n’ roll band’s new album is titled Restless Ones. She lives it.
In August 1970, Michigan hosted the mother of music festivals at Goose Lake in Leoni Township, a park 70 miles east of Kalamazoo. The three-day orgy of music, drugs and, inevitably, sex, makes today’s tightly controlled, corporate-run music festivals look like a day at the mall, which is really what they are, given the non-stop product pitches and sponsorships.
Reaching heights of pop stardom they never expected, the members of Neon Trees go back to their roots with the band’s latest club tour. “An Intimate Night Out” will feature the new-wave rockers — known for such multi-platinum hits as “Everybody Talks,” “Animal” and “Sleeping with a Friend” — playing club-sized venues and connecting with fans face to face.
In 1990, the Indigo Girls won a Grammy Award for “Best Contemporary Folk Album” — at that same ceremony they also lost in the “Best New Artist” category to another duo: Milli Vanilli. Perhaps that’s an indicator of how the recording industry can work sometimes. Honest and true songwriting isn’t always rewarded. But the Indigo Girls, Amy Ray and Emily Saliers, have retained their staunch following thanks to their never-waning brand of folk rock.
If you have ever contemplated debilitating world issues like war, greed and corruption and thought, “We can do better that this” — you’re not alone. That’s what Anti-Flag has been preaching for more than two decades.
Most big-city orchestras and university-based classical programs take a diminuendo in the off season, but there is always a summer crescendo at the regional epicenter of summer classical music, the Interlochen Center for the Arts in the northwest lower Michigan, about 15 miles southwest of Traverse City.
The Midwest has been a cradle for some of emo music’s most influential and hardworking bands. Even as some of the emo/math rock/hardcore-centric venues in the area came and went (i.e. The DAAC, Skeletones), the sound has undeniably stuck.
In some ways Grand Funk Railroad has always been the Rodney Dangerfield of hard-driving rock ’n’ roll — they get no respect.
From the very beginning, the Flint-bred band made a gargantuan noise. Their bombast was not unlike the MC5, but Grand Funk skipped the cosmic revolutionary stance in favor of a more working class, populist worldview. In the argot of the time they were a “people’s band.”
But even at the height of the band’s popularity, in the first half of the 1970s, they took a beating from the critical establishment who mainly complained that they were too loud and lacked sophistication.
Danny "K"AE, the Daniel Johnston of rap, is coming out of retirement in the woods of Alaska to play the Gathering of the Juggalos in Thornville, Ohio in July.
"K"AE is an eccentric recluse from the ‘80s who in a compelling Metro Times profile in 2012 by Psychopathic flack Jason Webber was revealed to count Kid Rock and ICP among his fans.
It was 27 years ago that New Kids on the Block released its breakthrough pop album Hangin’ Tough and began packing massive venues across the world with Beatlemania-style frenzies. That nostalgic vibe was thick at Van Andel Arena Saturday night when the group, along with openers TLC and Nelly, took over the venue with its Main Event tour.
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