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Making Home Work

How performers are adjusting to the lack of a stage

Revue Arts 29 June 2020
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Backstage Bios: Setting the Stage

The talent onstage shouldn’t get all the love. Without the people working behind the scenes, they wouldn’t have a stage to stand on, much less a show to perform. 

Revue Arts 29 June 2020
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Notes of Hope

ESME’s virtual string camp offers students a special opportunity

Revue Arts 29 June 2020
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Waiting in the Wings

Art museums grapple with reopening, extend exhibits

Revue Arts 29 May 2020
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Musical Memories

Directors and Musicians Look Back on Career Highlights

Revue Arts 29 May 2020
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Performing Off-Stage

The Diatribe opens its spoken-word workshop to all.

Revue Arts 29 May 2020
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Remembering Ted Kistler

A look back on the co-founder of The New Vic Theatre

Revue Arts 01 May 2020
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Bridging the Gap

A talk with Kalamazoo Symphony Orchestra’s new executive director

Revue Arts 01 May 2020
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Cultural Consequences

Why local arts groups need our support

Revue Arts 01 May 2020
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Virtual Virtuosos: Gilmore Keyboard Festival Is Now Online

When a festival that only takes place every two years was scheduled to begin at the peak of a pandemic, you don’t just throw it all away.

Revue Arts 21 April 2020
  • Breaking News
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Losing Paradise, Finding Experience

Actors’ Theatre retells ‘Paradise Lost’ with a modern edge

Revue Arts 01 April 2020
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Opening the Vault

Why three local art museums are revisiting their permanent collections this spring

Revue Arts 01 April 2020
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Review: Despite everything, 'Lost in Yonkers' finds joy

Neil Simon is one of the most prolific and enduring American playwrights, beloved for his nostalgia, humor and witty one-liners, even winning a Pulitzer in 1991 for “Lost in Yonkers,” arguably his finest work. Farmers Alley Theatre chose that finest work as their first foray in Neil Simon material, and it’s a wonder to behold.

Revue Arts 13 March 2020
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‘Charlie and the Chocolate Factory’ is full of heart and pure imagination

In an unpublished chapter of Charlie and the Chocolate Factory, candy magnate Willy Wonka leads a group of wide-eyed children into the alarmingly named Pounding and Cutting Room. There, a machine slices fudge into small squares. A wire strainer serves to catch any children who might slip, preventing them from being similarly chopped up. “It always catches them,” he reassures the children. “At least it always has up to now.”

Revue Arts 09 March 2020
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Joy Oladokun and the Art of Connection

Joy Oladokun and the Art of Connection

In the ten years since the release of her debt EP Cathedral, singer-songwriter Joy Oladokun has buil...
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Review: Grand Rapids Ballet Cleverly Translates 'Sherlock' From Page to Stage

Review: Grand Rapids Ballet Cleverly Translates 'Sherlock' From Page to Stage

The game’s afoot at Grand Rapids Ballet with the hotly anticipated world premiere of Resident Choreo...
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Review: Civic’s ‘Pete the Cat’ Shows Why Kids Deserve Great Theater

Review: Civic’s ‘Pete the Cat’ Shows Why Kids Deserve Great Theater

From October 16 through 19, Grand Rapids Civic Theatre’s production of Pete The Cat graced the compa...
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