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Review: Dr. Lonnie Smith awed and wowed with talent and charisma

Review: Dr. Lonnie Smith awed and wowed with talent and charisma

In the fourth and final Sunday evening Jazz Club of the Gilmore Festival at WMU’s Williams Theatre, Dr. Lonnie Smith got funky, churchy and just a little bit nasty, showing his unparalleled mastery and improvisational stylings with the Hammond B3 electric organ and more in a delightful performance full of fun surprises.

Revue Arts 07 May 2018
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Review: Elliot Wuu makes his future clear with finesse, fervor and heart

Review: Elliot Wuu makes his future clear with finesse, fervor and heart

During a recent radio interview, Elliot Wuu said he was “shell-shocked” to learn that he was the winner of a 2018 Gilmore Young Artist Award. Modesty aside, the 18-year-old’s Sunday performance at the 2018 Irving S. Gilmore International Keyboard Festival made it very clear why he was deserving of the honor. Undaunted by a challenging program, Wuu brought finesse, fervor and heart to every piece, much to the delight of the Vicksburg Performing Arts Center audience.

Revue Arts 07 May 2018
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Review: ‘Angels In America’ is exactly the kind of theater we need now

Review: ‘Angels In America’ is exactly the kind of theater we need now

Perhaps what’s most striking about Tony Kushner’s Pulitzer Prize- and Tony Award-winning play “Angels In America” is how quickly it has become an American classic.

Revue Arts 07 May 2018
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Review: Wei Luo dazzles alongside a jubilant Battle Creek Symphony Orchestra

Review: Wei Luo dazzles alongside a jubilant Battle Creek Symphony Orchestra

2018 Gilmore Young Artist Award winner Wei Luo impressed yet another Gilmore audience on Saturday night, this time accompanied by the Battle Creek Symphony Orchestra at W.K. Kellogg Auditorium in downtown Battle Creek.

Revue Arts 06 May 2018
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Review: ‘Happy Prince’ is beautiful, provocative, ‘a form of genius’

Review: ‘Happy Prince’ is beautiful, provocative, ‘a form of genius’

In Oscar Wilde’s triumphant Victorian novel "The Picture of Dorian Gray," the character Basil Hallward offers the critique that “(w)e live in an age when men treat art as if it were meant to be a form of autobiography.” It was, no doubt, a jab at his critics, who couldn’t help but see his own story emerging in many of his literary works. Wilde also offered that “(t)he true artist is known by the use he makes of what he annexes, and he annexes everything.”

Revue Arts 06 May 2018
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Review: With stunning music, acting and choreography, ‘Into the Woods’ has it all

Review: With stunning music, acting and choreography, ‘Into the Woods’ has it all

After finally seeing Into the Woods — it’s been on my bucket list for a while now — it both met and exceeded my expectations. The play honors the classic fairy tale stories like Cinderella and Little Red Riding Hood, but also gives each character a more modern take on their traditional outfit, speech and general personality.

Revue Arts 06 May 2018
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Review: Kirill Gerstein powered through illness to deliver potent, poetic performance

Review: Kirill Gerstein powered through illness to deliver potent, poetic performance

Along with a list of staggering credentials (including the 2010 Gilmore Artist Award), Kirill Gerstein has a reputation as an illuminating interpreter. The Jewish-American/Russian pianist made his second appearance at the 2018 Irving S. Gilmore International Keyboard Festival recital on Friday night.

Revue Arts 05 May 2018
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Review: ‘Late Night with Leonard Bernstein’ was a personal, emotional memorial

Review: ‘Late Night with Leonard Bernstein’ was a personal, emotional memorial

At most classical concerts, there are program notes with information about the works and composers to give background and insight into the music.

Revue Arts 04 May 2018
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Review: Kirill Gerstein shows brilliance with the unusual

Review: Kirill Gerstein shows brilliance with the unusual

The brilliance of an artist often shines brightest when they do the unexpected.

Revue Arts 03 May 2018
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Review: Fliter and Chi’s dual piano duet was a beautiful, unique dance

Review: Fliter and Chi’s dual piano duet was a beautiful, unique dance

When a stage is set with just two pianos, it’s often for a duel. But Tuesday night’s performance from Ingrid Fliter and Katherine Chi was a delicate, and at times forceful, dance between equally matched partners.

Revue Arts 02 May 2018
  • Kalamazoo
  • Gilmore Keyboard Festival
  • western michigan university
  • Ingrid Fliter
  • Katherine Chi
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Review: 'A Woman's Place' is an Exhilarating, Captivating Exploration of Gender Roles

Review: 'A Woman's Place' is an Exhilarating, Captivating Exploration of Gender Roles

Joy, darkness and some particularly unsettling ghosts took the stage as H2, Hope College’s pre-profe...
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Review: GR Ballet Finds Imagination in the Body with ‘Broken Wings’

Review: GR Ballet Finds Imagination in the Body with ‘Broken Wings’

Grand Rapids Ballet’s 2026-2027 season opener Broken Wings pairs two imaginative short ballets, each...
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Review: Broadway Breathes New Life Into 'The Notebook'

Review: Broadway Breathes New Life Into 'The Notebook'

New musicals that are adaptations of popular films that were based on books abound. Much rarer are t...
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