On Monday night, 1998 Gilmore Artist Award winner Leif Ove Andsnes astonished and delighted a modest crowd among the gilded trim and glittering chandeliers of Kalamazoo's Chenery Auditorium.
Celebrated conductor, humanitarian, educator, and the first American-born composer to receive worldwide fame, Leonard Bernstein was the inspiration for Sunday evening’s Gilmore Festival performance from the Bill Charlap Trio at Western Michigan University’s Williams Theatre, which was transformed into a jazz club with candlelit tables set up cabaret style while the exceptional musicians played a lovely 75-minute set of original jazz variations of Bernstein’s gorgeous and often dramatic works.
Director Todd Avery particularly enjoys the “dark side” of Into the Woods, the hugely successful musical penned by James Lapine and composed by the iconic Stephen Sondheim.
When Vadim Gluzman was a young music student, he didn’t like playing the violin. Instead of practicing for hours on end, he wanted to play ice hockey with his friends.
Ultra-realistic sculptures. Picasso prints. Vintage motorcycles. Local 1950s racing photos. And masterpieces from the Edward Curtis: The North American Indian collection.
There are plenty of musicians today who embrace showmanship and spectacle to make an impression. But in a society that barrages us with hollow messages and countless distractions, honest and refined music can offer due respite.
Having spent his life spreading joy with his outlandish costumes and unique style of playing the piano in concert halls, on television and as the consummate Las Vegas act, Liberace has returned from the dead to set the story straight, so to speak, because he feels redundant in heaven where everyone’s just perpetually happy.