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No Limits: 'All The Way' reminds us not to take our rights for granted

When we think of Lyndon Baines Johnson, 36th President of the United States, we tend to think of the Vietnam War. Not many know that just days after LBJ stepped in as president following the assassination of John F. Kennedy, he approached Congress with his first priority as president: the Civil Rights Act of 1965.

Revue Arts 04 January 2018
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Nifty Fifty: Miller Auditorium celebrates its semicentennial anniversary

“Miller.” For many residents of Southwest Michigan, that one word conjures up visions of an auditorium that has spent 50 years as a backdrop for performers, making them laugh, cry, ponder and cheer.

Revue Arts 04 January 2018
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Recurring Dream: Opera GR remembers MLK’s legacy

One spring morning in 1968, a young preacher prepares to travel from Atlanta to Memphis to support striking sanitation workers.

Revue Arts 04 January 2018
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Harlem is Here: Dawoud Bey brings the New York neighborhood to Kalamazoo

This winter, a visual tour of Harlem will transport Kalamazoo Institute of Arts visitors to one of the most iconic communities in the world.

Revue Arts 04 January 2018
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Inspecting Identity: UICA’s Enmeshed bridges the personal, political and spiritual

An array of unique art and site-specific installations that explore themes of identity, both personal and political, make up the UICA’s winter exhibition.

Revue Arts 04 January 2018
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Instrumental Women: Ava Ordman releases trombone album composed entirely by women

Ava Ordman has been playing trombone for more than half a century. For 24 years, she performed as principal trombonist with the Grand Rapids Symphony, and during her tenure there she recorded Donald Erb’s Concerto for Trombone and Orchestra.

Revue Arts 04 January 2018
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Review: ‘Finding Neverland’ fills the stage with magic

There is a scene early on in Finding Neverland where playwright J.M. Barrie (Billy Harrigan Tighe) is talking about the play he’s working on with theater producer Charles Frohman (Matthew Quinn). Charles tells him that the play can’t be too short or too long. It also can’t be too funny or too serious. It needs to make people think but not think too hard. Finding that perfect balance isn’t always easy in a play, but Finding Neverland makes it look as effortless as lifting a feather.

Revue Arts 13 December 2017
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Review: Christmas Cabaret is a holiday party well worth your time

When Andrea Arvanigian soulfully sings “Love is who we are and no season can contain it,” from Sara Bareilles’ sweet 2011 song “Love is Christmas” in the second act of The Barn Theatre School’s Christmas Cabaret, it’s impossible not to feel the truth of those lyrics straight from the heart of all the performers most regularly seen here during the summer months.

Revue Arts 11 December 2017
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Review: ‘The Miracle Worker’ tells a complex, powerful story with passion and skill

In the mid-century American classic play “The Miracle Worker,” by William Gibson, the child Helen Keller punches, kicks, flings food, throws whatever’s in her clutches, pulls hair, screams, wails, and otherwise throws physical tantrums like a feral animal. She’s a brilliant yet obstinate, wildly spoiled child in her upper-class, post Civil War Alabama home in which all her kin are cousin to General Robert E. Lee. From a baby with enormous vitality to a deaf-mute child, she is pitied for her disabilities caused by illness, and since none of the finest quacks money could buy helped, her family nearly ruins her for any kind of productive life.

Revue Arts 08 December 2017
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Review: GR Ballet’s ‘The Nutcracker’ is flawless artistry from beginning to end

The Nutcracker, like so many holiday traditions, is an experience rich with nostalgia. For many, the classical ballet is the only ballet they’ve ever seen; for others, it’s an annual tradition that began in childhood; for others, the music, characters and movement summon memories of the times when they’ve played or danced it themselves.

Revue Arts 08 December 2017
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Review: ‘Honky Tonk Angels’ is a sweet, delightful escape

Farmers Alley Theatre couldn’t possibly have known when they selected their season that December 2017 would offer the perfect cultural moment for a light-hearted jukebox musical in which three iconic female archetypes beaten down by the misbehaving men in their lives risk everything to strike out on their own — only to find beautiful harmonies and support in each other.

Revue Arts 05 December 2017
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Q&A: Pierre van der Westhuizen Director, Irving S. Gilmore International Keyboard Festival

Last month, the Irving S. Gilmore International Keyboard Festival named Pierre van der Westhuizen as its next director. The South African pianist and arts administrator will take the helm this January following the retirement of Daniel Gustin, the current director of 18 years. Widely credited with boosting the visibility of the prestigious Cleveland International Piano Competition, van der Westhuizen brings impressive administrative chops to The Gilmore — as well as the perspective of a renowned musician and passionate educator.

Revue Arts 01 December 2017
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Dancing in the Wings: Talking ‘Torreography’ with Torrey Thomas

Torrey Thomas has been teaching dance — or what he calls “Torreography” — for more than 20 years. He was born and raised in Grand Rapids and loves his roots here in West Michigan. He is known around the community for his eccentric personality, talented dance moves and teaching abilities, working with theater productions and giving lessons. Recently, Thomas received a Grand Award for best choreography for his work on Ragtime at Grand Rapids Civic Theatre. We talked with Thomas about where his passion to teach, dance and work comes from.

Revue Arts 01 December 2017
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Crafting A Classic: How holiday gems thrive on nostalgia

When they were first released, some holiday classics could hardly be considered successes, said James Sanford, a film critic and former creative manager of Kalamazoo’s Alamo Drafthouse.

Revue Arts 01 December 2017
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Artist Profile: Metal Art Studio

Artist Profile: Metal Art Studio

Scott Carey and Carol Wagen are the husband and wife co-owners of Metal Art Studio, a well-known ent...
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Review: 'Jesus Christ Superstar' Finds Clarity in Simplicity at Circle Theatre

Review: 'Jesus Christ Superstar' Finds Clarity in Simplicity at Circle Theatre

On October 24, 1971, The New York Times published a review of Jesus Christ Superstar by Walter Kerr....
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Artist Profile: Chapel of Ghouls

Artist Profile: Chapel of Ghouls

When you see Nick Hartman’s work under the alias Chapel of Ghouls, the message is clear: Life is har...
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