Baroness vocalist/guitarist John Baizley is a survivor, pure and simple. He just doesn’t want that to define him forever.
Making international news in 2012, his Georgia metal band endured a horrifying bus crash while on tour in England, less than a month after the release of their colossal double-LP Yellow & Green. Baizley himself suffered a broken leg and a broken arm. The injuries were so severe it was uncertain if he’d be able play guitar again, or even be able to keep his arm.
Meanwhile the band’s former drummer Allen Bickle and bassist Matt Maggioni both endured serious vertebrae injuries from the wreck. The physical damages were so traumatic they parted ways with the group, leaving the band’s lineup shattered and its future uncertain.
What began as a way to honor local philanthropist Irving S. Gilmore’s tremendous love for music, specifically the piano, has grown immensely, now boasting more than 100 concerts at various venues across West Michigan.
Since 1991, the Gilmore International Keyboard Festival has hosted world-class music in the Kalamazoo area. But it’s not just concerts. You’ll also find master classes, a film series and a musical play throughout the 19-day festival, all of which focus on some element of keyboard music.
When metalcore megastars Underoath disbanded in 2013, frontman Spencer Chamberlain honestly felt like it was the end of an era.
“I never thought in a million years that we’d ever play another show,” Chamberlain told Revue in anticipation of the band’s reunion tour coming to the Orbit Room this month. “It was a brutal breakup.”
Chronicled in the 2015 documentary film Tired Violence, the band’s demise after nearly 14 years and seven LPs came as a crushing blow to the young singer. He came into Underoath midway on — replacing original vocalist Dallas Taylor in 2003 — as they sped down a path toward mainstream success and internal tension.
Although the road has become their home over the last 18 years, hard-touring alt-country-rockers Lucero are still rooted in the musical legacy of their hometown of Memphis.
“We are stewards of Memphis and Memphis music no matter where we go,” bassist John C. Stubblefield told Revue. “It’s who we are and it’s definitely what we represent. Our stage show is sort of a sovereign travelling state of Memphis, Tenn.”
In the words of Dante Hicks, tortured convenience store jockey called into work on his day off, “I’m not even supposed to be here today!”
In fact, the last time this writer booked multiple shows for a touring musician was probably over three years ago. The last time I wrote for an entertainment publication was 2007. But here we are — for one very important, very inimitable and very legendary reason: Victor Villarreal.
I have briefly come out of my retirement from booking shows (and writing about them, apparently) to set up dates with Villarreal at Camp H Skate Park on March 25 with Charles Rogers and Momentai and on March 26 in Hamtramck, with Bars of Gold and Mountain Club.
Way before the massive, multiplatinum success of the megahit single “Sail,” AWOLNATION mastermind Aaron Bruno could feel like a king for a day in only one place: Grand Rapids.
The reason: Our fair city actually heard his previous band, Under The Influence of Giants, on the radio when almost no one else in the country had.
Although he’s now revered as the enigmaticfrontman for multi-platinum prog-metal juggernauts Tool and A Perfect Circle, Maynard James Keenan has a long history here in West Michigan.
This month, his current project — the performance-art meets alt-rock outfit Puscifer — plays somewhat of a homecoming show at DeVos Performance Hall.
Here’s what he had to say about Puscifer’s decade-long development and the band’s new Money Shot LP.
“Grand Rapids is the only place in America that celebrates VD,” blares Monoxide Child, one half of Detroit-based rap duo Twiztid. The rap/rock ensemble is playing the Intersection on Valentine’s Day and he’s using the occasion to play with words, which is his stock-in-trade.
Seconds into talking with Marc-Andre Chagnon, aka Marx Menace, of the Montreal electro trio Black Tiger Sex Machine, it becomes obvious: 2015 was the most insane year of his life.
For some, Valentine’s Day is a time when lovers bask in each other’s undying devotion and blissful happiness. For others, like bassist Mike Ayley of emo-pop outfit Marianas Trench, it’s just another strange and confusing holiday. “Over the years I’ve become the most hopelessly romantic pessimist you’ll ever meet,” Ayley told Revue. “I’m a sucker for love, but have been jaded so many times.”
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