
Accidental Musician: How Sam Beam Became Iron & Wine

The Weather Station: Holding onto Humanity in the Digital Storm

With a youthful and punk-fueled exuberance, picking and vocal capabilities that seem well beyond his years, and a heart steeped in traditional music, a live performance by William Apostol (aka Billy Strings) is truly an experience. High energy meets raw talent in an electrifying, twangy and sometimes dizzying way.
Apostol has made quite a name for himself in the bluegrass scene as a gifted guitarist out of Traverse City. He’s spent the last couple of years touring heavily with mandolinist Don Julin and playing the music he was brought up on as a kid. In late 2015, however, Apostol announced he was parting ways with Julin and moving to Nashville to embark on his solo career.
Josh Epstein’s phone is blowin’ up thanks to his band’s summery slice of infectious indie-pop, “Gone.”
The Detroit duo JR JR’s (formerly known as Dale Earnhardt Jr. Jr.) hit single has gone viral since its 2015 release, racking up over 15 million plays on Spotify and landing everywhere from alt-rock radio to the trailer for the upcoming comedy Sausage Party.
Andrew McMahon’s path to stardom hasn’t exactly been paint-by-numbers.
Fans of the singer/songwriter already know much of his story: He started out as the teenage frontman for the piano-pop/punk band Something Corporate in the early 2000s. Then there was his side-project Jack’s Mannequin, which chronicled his recovery from leukemia during his 20s. His latest solo project was inspired largely by his life as a new father.
Depending on who you talk to, the late Phife Dawg is either a complete unknown or a groundbreaking hip-hop icon. As a member of Tribe Called Quest, he and his mates helped pave the way for generations of forthcoming alternative hip-hop heads – from Kanye West and Common, to legions of underground rappers.
After going homeless for nearly three years, The Division Avenue Arts Collective finally found a new home earlier this spring thanks in part to Habitat for Humanity of Kent County and SiTE:LAB.
Photos and a recap of The Monkees show at Frederick Meijer Gardens & Sculpture Park on June 8.
For Grand Rapids-based indie outfit The Soil & The Sun, the end of 2015 and the start of this year has been about deconstruction and rebuilding.
Surrounding the release of their last LP, 2014’s Meridian, the then seven-piece ensemble hit the road harder than ever before. They played all across the country, hitting such festivals as SXSW in Austin and the CMJ Music Showcase in New York, while bonding together like family in their converted tour bus.
When The Beatles appeared on The Ed Sullivan Show in 1964, teens across the country raced to local music shops, picked out guitars and hastily learned chords as their crewcuts grew into mop tops. High-school garage bands popped up across the map — all looking to recreate the energy of the burgeoning British Invasion.
West Michigan was no exception. While the scene’s genesis, life and demise is quite similar to other cities, one distinguishing characteristic is where these local bands recorded: Great Lakes Studios in Sparta — home of Fenton Records, the now iconic garage-rock vanity label.
A handful of local concerts in July and July, including The SEVENth and the final shows for Beast in the Field.
On their newest hit song, Fitz & the Tantrums wants to make your hands clap. And your feet move. And, most importantly, your heart beat.
The appropriately titled “HandClap” is more than just the lead-off single for the neo-soul/new-wave band’s new self-titled album, due out June 10. It’s an 808-fueled, four-on-the-floor frenzy that serves as something of a testament to the band’s onstage connection with their fans.
The Accidentals eclectic sound has helped the indie folk-rock band become one of the state’s top emerging outfits. Billboard named the trio as one of the “Top Seven Breakout Artists SXSW 2015.” Now, on June 1, the band dropped its new Parking Lot EP, available to stream online. Here’s what the band had to say to Revue.
Sometimes, you just need to get away.
So if you thought The Muteflutes have been in hiding, you’d be right.
Back in January, the Grand Rapids-based indie-folk group packed up their gear, got out of town and headed for one of the least-likely mid-winter destinations around: Minneapolis.
Once there, they holed up together at The Hideaway Studio, and a week later emerged with their third LP, naturally titled: Hideaway Love.
The members of Grand Rapids’ Coffin Problem have one request for when you listen to their debut LP: Play it loud.
Anyone who’s caught the band’s epic live shows will echo the same. The music is enormous — enveloping every available space surrounding it before encapsulating eardrums in layers of dense distortion.