Defined by specific time periods, with distinct styles and notable composers, classical music’s progression over the last 500 years has been more revolutionary than evolutionary.
Whether it be a performance hall, cathedral or taproom, the most divine acoustic experiences occur in spaces where the very inner workings of a human ear are taken into account. But that’s not exactly a simple science, according to West Michigan audio engineers.
Pink bunnies, a life-size Trans Am, reclining Buddha — they have more in common than you think.
After watching ArtPrize explode as an international art competition, West Michigan native Tyler Loftis wanted to find a way to connect the art world in New York City, where he now lives and works as a painter, with his Midwestern roots.
E.L. Doctorow's 1975 best-seller, “Ragtime,” probably would not rank high on anyone’s list of books that cry out to be turned into musicals. A portrait of America in the early 20th century, it follows an anonymous, well-to-do family from New Rochelle, N.Y., as they make “Forrest Gump”-ian connections with some of the major figures of the day, brushing up against a few controversies along the way.
Rodgers and Hammerstein’s “The Sound of Music” is so stacked with classic songs that even seeing them all listed together dizzies the head — “My Favorite Things,” “Maria,” “Do-Re-Mi,” “Sixteen Going On Seventeen,” “So Long, Farewell,” “Climb Ev’ry Mountain,” the title piece about the hills being alive with … well, you know.
It’s slightly jarring to see the Kalamazoo Civic Theatre mainstage completely exposed as director Todd Espeland’s “To Kill a Mockingbird” begins: At first, there is nothing on the stage except a dozen or so empty chairs.
At first glance, you might wonder how the work of S.E. Hinton could possibly connect with today’s teens. Something of a trailblazer in the 1960s, Hinton was barely out of high school when she sold “The Outsiders,” a strikingly honest look at high school life and gang rivalries that her publishers feared would be overlooked if critics knew it was written by a woman (the initials stand for Susan Eloise).
Created as a speakeasy-style venue to hear live blues in downtown Muskegon, The Alley Door Club even had an alley door entrance when it kicked off 11 years ago.
During a time of year when there is not a lot to do in Muskegon and there aren’t many people around, Alley Door’s longevity is a testament to its success. The club added craft beer to the lineup last year and will celebrate another season with local and regional musicians and beer on tap from West Michigan breweries. For those who don’t like beer, there’s also a full bar.
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