Thirty five years after its West End premier, it remains clear why Les Misérables is the second-longest running musical in the world and continues to attract swarms of fans on a new, transformed national tour. Its run at Miller Auditorium in Kalamazoo is a hit.

The GRAM’s Sunday Classical series brings master musicians to the galleries

Takács Quartet celebrates 45th season of connecting with audiences

At Farmers Alley Theatre, a Christian baker decides whether same-sex couples people can have her cake

A thoughtful, inspired rendition of ‘My Fair Lady’ is coming to Wharton Center 

With 'Humanae,' SCA explores the incredible diversity and complexity of all people

Two UICA exhibitions are celebrating the black experience from different perspectives

WMCAT’s iBall supports and celebrates the organization’s extensive work in the community

As Kahlil Ashanti ended his first performance of Basic Training, the audience’s reaction wasn’t quite what he had been expecting.

In a New Yorker profile published soon after the Public Theater’s premiere of Hamilton, Lin-Manuel Miranda discussed early theatrical influences, including Les Miserables, Cats and Phantom of the Opera. Of the latter, he said, “I saw Phantom and I was like, ‘Oh, shit!’ Because it’s about an ugly songwriter who wants to impose his will on the world. I related to that.”