In the final moments of Grand Rapids Ballet’s MOVEMEDIA: Handmade, dancers onstage transform into an underwater human merry go round. With linked arms, an outer circle moves clockwise, while an inner circle moves in the opposite direction in Nicolas Blanc’s world premiere “Aquatic Hypoxia.”

For 20 years, Mamma Mia! has been unavailable to local theater companies. But the time has come for troupes like Grand Rapids Civic Theatre to bring the hit musical to the stage with showstopping tunes, creative sets and lots of talent.

The art on your favorite cafe’s walls was not placed there by accident. 

Schools and libraries go hand-in-hand, both containing and spreading knowledge far and wide. Whether it’s a university or an elementary school, the library is the well of information students can dip into at any time. The same goes for Oscar Tuazon’s Water School, coming to Michigan State University’s Broad Art Museum.

When artist Tanya Tice couldn’t find a piece of art to hang above her couch in her price range, she went out to the store, bought some canvas and paint and “went to town.”

Accomplished Michigan author and illustrator Patricia Polacco was once a little girl, Trisha, who saw jumbled words on the page and struggled with reading in school.

Joey DeFrancesco, a third-generation jazz musician, has been perfecting his unique blend of jazz, soul and blues for more than 40 years. Born in Philadelphia, DeFrancesco got his start on the organ at age four and began playing shows at five when his dad, “Papa” John DeFrancesco, invited him to sit in on sets.

Under the baton of Anne Harrigan, the Battle Creek Symphony Orchestra will take the audience at W.K. Kellogg Auditorium to Bald Mountain, the Pines of Rome and beyond with the Walt Disney classic Fantasia. 

For Jake and Pete Twitchell, it’s the 10-year anniversary of their father’s tragic death in a 1952 mining accident. The Pickaway Coal Company’s South Mountain in rural West Virginia — locally nicknamed “The Burnt Part” — is where the death of those four miners occurred, three of whom left behind children.

It’s four songs into Anastasia before audiences are really introduced to Anya (Lila Coogan) the show’s female lead. Up until that point, a lot of years go by, and quickly too, jumping from 1906 to 1917 to our final destination, 1927.