Golden Girls, Mary Tyler Moore, The Dick Van Dyke Show, Cheers, The Jeffersons — if you’re suddenly feeling nostalgic, Olive and the Bitter Herbs is the show for you.
A new performing arts company has manifested in Grand Rapids, with a mission to bring entertainment as well as empowerment to the people and performers of West Michigan.
At first glance, the large-scale wall installations and sculptures look like succulents and flowers, multi-colored woven rugs, moths and butterflies.
Half a century later, the contemporary glass movement continues to gain momentum with competitions, exhibits and college programs. With Global Glass: A Survey of Form & Function, the Kalamazoo Institute of Arts is diving into this unique art movement.
Every summer, set along boardwalks, in waterfront parks and on closed-off city blocks, art fairs take over the lakeshore with handcrafted jewelry, paintings, pottery, photography, sculpture and much more.
This month’s Kalamazoo Philharmonia and the Bach Festival Chorus performance is personal for Andrew Koehler.
In Western music canon, Ludwig van Beethoven was one of the first freelance composers. Unlike his predecessors — Bach, Mozart and Haydn — he had no royal patron to please. Beethoven wrote music for himself, and for greater humanity. “What I have in my heart must come out; that is the reason why I compose,” he said. Knowing this makes the impassioned plea for universal fellowship and peace in his “Symphony No. 9” all the more powerful.
If there is something inherently funny about women’s breasts and the seemingly endless quest for the sexual capital that comes from an augmented female form, then “Gay Deceivers” capitalizes on it — with a pseudo-feminist twist. The humor in this almost-farce also relies on the audience’s delight in seeing ostensibly straight men dressed (badly) as women.
It was a truly unique night at the Urban Institute for Contemporary Arts last night with the first ever Off the Wall fundraising event. As I was leaving the event, feeling inspired and blessed to have seen so much talent in just three hours, I hoped that the UICA makes this an annual event, and I can safely assume the happy audience around me felt the same.
If there’s one thing the New Vic Theatre in Kalamazoo does exceptionally well, it’s down-home folksy storytelling with music. And that’s exactly what they have with “Radio Gals,” by Mike Carver and Mark Hardwick, which takes us into a delightfully kooky sort of Americana by way of retired music teacher Hazel Hunt’s front parlor where the Hazelnuts, a motley crew of local Arkansans, put on a radio variety show for the fun of it with a Western Electric 100-watt radio transmitter on their very own WGAL.
