A typical preview of an art exhibition might start out with a Cliffs Notes version of Art History 101 to set the scene.
Holiday parades and pre-Black Friday sales signal the start of the holiday shopping season. But for people who seek locally made works of art, the opening of Signature Gallery in Kalamazoo is their sign.
Their faces, rich with expressions of struggle, joy and faithful devotion, tell the story of an enduring human spirit without saying a word.
At first glance, the soft, subtly shifting hues in artist Mary Brodbeck’s Japanese woodblock prints take on the look of a painting.
But there is a much more labor-intensive process that goes on behind-the-scenes, one that she explores in the documentary “Becoming Made.” It can take months to find the right imagery and inspiration, then sketch, carve, paint and create one print.
The artists of the Tanglefoot Building in Grand Rapids aim to keep a tradition of 25 years going this month. For the past quarter century, the first of its kind studio in Grand Rapids has hosted the Open Studio event on the weekend before Thanksgiving. The event has gone beyond an exhibition and sale, as the public is invited to observe and interact with artists in their unique studio spaces.
After forming a relationship with legendary fine art quiltmaker Nancy Crow and hosting a solo exhibition of her work, Muskegon Museum of Art agreed to help develop and debut an invitational exhibition of colorful, circular abstractions that push the envelope of quiltmaking.
Ryan Spencer Reed just wants to change the world. In 2004, the Calvin College alum sparked a national conversation on the War in Darfur with his photography, taking the exhibit on a university tour across the U.S. Since then, he’s worked as a photojournalist around the world.
Simple shapes, large swaths of color and quasi-patterns dominate the abstract landscapes of Jeff Kraus’ canvases.
But the 31-year-old Grand Rapidian doesn’t want to tell you how to interpret his work. Rather, Kraus enjoys “the fact that each person can look at it and associate different things from their life onto it.” The art, which has been shown in galleries from Los Angeles to New York, is meant to be experienced rather than deciphered.
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