In “Signs and Symbols,” Vladimir Nabokov wrote of Aunt Rosa, “a fussy, angular, wild-eyed old lady, who had lived in a tremulous world of bad news, bankruptcies, train accidents, cancerous growths — until the Germans put her to death, together with all the people she had worried about.”

Is there a place in the post #metoo cultural moment for a workplace comedy in which the narrative builds around a “sexist, egotistical, lying, hypocritical bigot” of a boss who runs roughshod over his female employees, inspiring both imagined and real revenge fantasies that involve poisoning, shooting, and stringing him up?

Live theater is back, and at Mason Street Warehouse/Saugatuck Center for the Arts, it’s outside at the lakeshore, and everything we could hope for.

Last year, the arts world spent most of the summer trying to figure out what to do next. In 2021, a majority of organizations are managing to make something work, whether it’s being done safely in-person or virtually, for now.