It is hard to imagine a more perfect show for southwest Michigan at the beginning of March to stave off the dreary doldrums of winter than “Once On This Island.” Visually warm and lovely, with music and performances this delightful, it’s impossible to not be transported to the French Antilles for a little over an hour in The Kalamazoo Civic’s excellent production of this mystical, marvelous tale.
Liz Snyder needed money. A single mother, newly divorced, she cast around for options. She came across body painting at an Art Hop event. "You could do this," a friend nudged.
Celebrating the spirit of adventure and the art of film, Mountainfilm on Tour: Saugatuck continues to grow with a weekend of film screenings, art, music and family fun.
On their own, sheets of tissue paper may not hold much visual appeal, but in the hands of Maya Freelon, individual pieces in varying colors and sizes become vibrant structures that tell a story.
This month, two accomplished Broadway performers are joining West Michigan Symphony for a night of Classic Broadway, featuring notable songs by some of Conductor Scott Speck’s favorite American composers.
Many moving parts work together to make a complete theatrical production, but one of the most subtle arts is the lighting.
Family arguments are, for the most part, unavoidable. Bad Jews by Joshua Harmon, playing at Jewish Theatre Grand Rapids this month, portrays a small family dynamic that takes those arguments from zero to 100 in a matter of seconds.
Life as a teenager can be tough enough without throwing a full-time commitment in the mix, but when it’s your passion, the effort is beyond worth it.
“Mahalia, A Gospel Musical” is so much more than a biographical musical about the great Mahalia Jackson, Queen of Gospel. Full of the gorgeous church hymns and old spirituals she sang with her tremendously soulful and powerful voice, it does, indeed, tell the story of her rise to fame in the 20th Century. But in so doing, it also elucidates a crucial piece of American history.
Cari Scholtens and Jil Farheart look pretty much the same: they’re both tall, lean brunettes. But Farheart has a scar on her cheek. And while Scholtens owns a plastic sword and axe, Farheart’s sword and axe are necessarily steel; she’s a bounty hunter, and uses them when she has to. In a world of dark cults, vicious monsters, and the ever-present threat of violence, “when she has to” is pretty often.
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