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Review: Dr. Lonnie Smith awed and wowed with talent and charisma

In the fourth and final Sunday evening Jazz Club of the Gilmore Festival at WMU’s Williams Theatre, Dr. Lonnie Smith got funky, churchy and just a little bit nasty, showing his unparalleled mastery and improvisational stylings with the Hammond B3 electric organ and more in a delightful performance full of fun surprises.

Revue Arts 07 May 2018
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Review: Elliot Wuu makes his future clear with finesse, fervor and heart

During a recent radio interview, Elliot Wuu said he was “shell-shocked” to learn that he was the winner of a 2018 Gilmore Young Artist Award. Modesty aside, the 18-year-old’s Sunday performance at the 2018 Irving S. Gilmore International Keyboard Festival made it very clear why he was deserving of the honor. Undaunted by a challenging program, Wuu brought finesse, fervor and heart to every piece, much to the delight of the Vicksburg Performing Arts Center audience.

Revue Arts 07 May 2018
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Review: ‘Angels In America’ is exactly the kind of theater we need now

Perhaps what’s most striking about Tony Kushner’s Pulitzer Prize- and Tony Award-winning play “Angels In America” is how quickly it has become an American classic.

Revue Arts 07 May 2018
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Review: Wei Luo dazzles alongside a jubilant Battle Creek Symphony Orchestra

2018 Gilmore Young Artist Award winner Wei Luo impressed yet another Gilmore audience on Saturday night, this time accompanied by the Battle Creek Symphony Orchestra at W.K. Kellogg Auditorium in downtown Battle Creek.

Revue Arts 06 May 2018
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Review: ‘Happy Prince’ is beautiful, provocative, ‘a form of genius’

In Oscar Wilde’s triumphant Victorian novel "The Picture of Dorian Gray," the character Basil Hallward offers the critique that “(w)e live in an age when men treat art as if it were meant to be a form of autobiography.” It was, no doubt, a jab at his critics, who couldn’t help but see his own story emerging in many of his literary works. Wilde also offered that “(t)he true artist is known by the use he makes of what he annexes, and he annexes everything.”

Revue Arts 06 May 2018
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Review: With stunning music, acting and choreography, ‘Into the Woods’ has it all

After finally seeing Into the Woods — it’s been on my bucket list for a while now — it both met and exceeded my expectations. The play honors the classic fairy tale stories like Cinderella and Little Red Riding Hood, but also gives each character a more modern take on their traditional outfit, speech and general personality.

Revue Arts 06 May 2018
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Review: Kirill Gerstein powered through illness to deliver potent, poetic performance

Along with a list of staggering credentials (including the 2010 Gilmore Artist Award), Kirill Gerstein has a reputation as an illuminating interpreter. The Jewish-American/Russian pianist made his second appearance at the 2018 Irving S. Gilmore International Keyboard Festival recital on Friday night.

Revue Arts 05 May 2018
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Review: ‘Late Night with Leonard Bernstein’ was a personal, emotional memorial

At most classical concerts, there are program notes with information about the works and composers to give background and insight into the music.

Revue Arts 04 May 2018
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Review: Kirill Gerstein shows brilliance with the unusual

The brilliance of an artist often shines brightest when they do the unexpected.

Revue Arts 03 May 2018
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Review: Fliter and Chi’s dual piano duet was a beautiful, unique dance

When a stage is set with just two pianos, it’s often for a duel. But Tuesday night’s performance from Ingrid Fliter and Katherine Chi was a delicate, and at times forceful, dance between equally matched partners.

Revue Arts 02 May 2018
  • Kalamazoo
  • Gilmore Keyboard Festival
  • western michigan university
  • Ingrid Fliter
  • Katherine Chi
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Review: Leif Ove Andsnes champions the hidden gems of classical piano

On Monday night, 1998 Gilmore Artist Award winner Leif Ove Andsnes astonished and delighted a modest crowd among the gilded trim and glittering chandeliers of Kalamazoo's Chenery Auditorium.

Revue Arts 01 May 2018
  • Kalamazoo
  • Gilmore Keyboard Festival
  • Chenery Auditorium
  • Leif Ove Andsnes
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Review: Bill Charlap Trio channeled Bernstein with jazzy emotion

Celebrated conductor, humanitarian, educator, and the first American-born composer to receive worldwide fame, Leonard Bernstein was the inspiration for Sunday evening’s Gilmore Festival performance from the Bill Charlap Trio at Western Michigan University’s Williams Theatre, which was transformed into a jazz club with candlelit tables set up cabaret style while the exceptional musicians played a lovely 75-minute set of original jazz variations of Bernstein’s gorgeous and often dramatic works.

Revue Arts 30 April 2018
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No Canvas: Off The Wall brings something new to the gallery

For one night only, the Urban Institute for Contemporary Arts is taking art “off the wall and into the space.”

Revue Arts 30 April 2018
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Dark Fantasy: 'Into the Woods' tackles tough, real-life issues with fairy tale characters

Director Todd Avery particularly enjoys the “dark side” of Into the Woods, the hugely successful musical penned by James Lapine and composed by the iconic Stephen Sondheim.

Revue Arts 30 April 2018
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Review: Deos Contemporary Ballet Captures the Power of Dance as Art

Review: Deos Contemporary Ballet Captures the Power of Dance as Art

Deos Contemporary Ballet’s 2024-2025 season finale, Awaken 25, reflected the mood of our times, offe...
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Review: 'The Prom' Brings Big Laughs and Big Heart to Circle Theatre

Review: 'The Prom' Brings Big Laughs and Big Heart to Circle Theatre

The next best thing to being a good person is appearing to be one, which is why four Broadway stars—...
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Moving With Purpose: West Michigan Dance Companies

Moving With Purpose: West Michigan Dance Companies

As a haven for the arts, it’s no surprise West Michigan is home to a vibrant and diverse dance scene...
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