With every Kalamazoo Symphony Orchestra performance he conducts, Daniel Brier attempts to transport the audience to another realm.

Once one of the elder statesmen of Grand Rapids’ art scene, Armand Merizon continued to paint as his vision failed him, calling on instinct and experience as he put brush to canvas.

Every year, Tanglefoot creates a homecoming for the local artist community by opening its doors and welcoming everyone into its studios.

The newest morning fad is a show while you eat: Drag Brunch. Sit back with a boozy beverage and a delicious plated breakfast (or lunch) and see some of the most talented queens performing in West Michigan.

As a sophomore in high school, Joey Fontana saw Monty Python's Spamalot at the Macomb Center for the Performing Arts, on the east side of the state. Now he’s part of the national tour, performing at Miller Auditorium this month.

Prescott Seymour’s life as an actor is a drag, but he isn’t complaining.

To most of us, the word “opera” conjures up bored and wealthy patrons, in black tie or pearls, suffering through incomprehensible screeches: in short, nothing like a good time.

She wants a new car. And in getting a new car, she finds a new life.

Though it has been 37 years since Moses Pendleton, co-founder of Pilobolus Dance Theater, created MOMIX, the company of self-described dancer-illusionists, they continue to be in a league of their own in terms of true dance innovation, as proven in their recent performance of “Opus Cactus” at the Wharton Center in Lansing.

There is no art form better suited to expressing romantic love than classical ballet. And in “Wild Sweet Love,” Grand Rapids Ballet’s glorious season opener, the company shows its range and skill as an ensemble as well as tremendous individual artists exploring the many facets of romance and ballet itself.