Since 2004, Grand Rapids band La Dispute has been inching toward success one fan at a time. The members kept at it for four years, playing small shows here and there, until one e-mail changed everything.
Sometimes it only takes a single opportunity to open the door to success. Just ask singer-songwriter Christina Perri, whose song "Jar of Hearts" made its way on to the June 30, 2010 episode of the television show, "So You Think You Can Dance." Now, less than two years later, Perri has been seemingly thrust in to the spotlight.
"It's been bananas!" Perri said of the journey so far. "It was one great day that hasn't stopped for two years."
Trying to follow up the platinum Sound of Madness record, which features the double-platinum single "Second Chance," was no easy task for Shinedown, a band that has dominated rock radio since the album's release in 2008.
On Jan. 10, Rebelution released Peace of Mind, which has been labeled as the band's best work to date. The release also saw two versions of the album: acoustic and dub. The unconventional format seemed to work, as Peace of Mind debuted at No. 13 on the Billboard Top 200 and was No. 4 on iTunes.
The driving force behind every great band is a lot of great fans - and the guys of Go Radio know just how to make them.
If you paid attention to pop culture in the ‘90s, then it's quite likely you remember the post-grunge alternative band, Local H. The distinct, dirty bass line to the band's 1996 Top 10 hit, "Bound for the Floor" is still recognizable, reminding listeners to "keep it copacetic."
Like the rest of the decade, Local H never really went away. The two-man band - consisting of frontman Scott Lucas, who plays guitar and bass all through his guitar, and drummer Brian St. Clair - has toured and recorded consistently since the mid-‘90s, even amidst some band shakeups and label turmoil.
The difference between Every Time I Die and most mainstream hardcore metal bands is that it doesn't try to create a certain sound. These guys Buffalo, N.Y. continues to make signature in-your-face, heavy-as-hell sound and sell-out shows because they love what they're doing.
Sharing a Los Angeles rehearsal studio space in the late ‘80s during the formative years of Jane's Addiction gave singer Perry Farrell enduring memories of "people in weird costumes who I hung out with on a daily basis."
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