Being a band is easy. Being a band that stands out, especially in an era inundated with new bands at every corner of the Internet, is not. That's why Derek Lancioni, drummer of Charles the Osprey, brings Fes2val to Grand Rapids.
On 20 Division Avenue, just beside the intersection of Division and Fulton, sits a gray and white building. Outside the front door is a sign shaped like a vinyl record. It reads, "Dodd's Record Shop: New & Used Vinyl." But don't let this simple building and sign fool you. Dodd's Record Shop is a music lover's paradise.
For Breathe Owl Breathe, East Jordan's earthy folk outfit, reaching a national audience may have been a long road (one that spanned over seven years), but the trials never exceeded the joy.
Early on in her career, Melissa Etheridge let her music do the talking. While rumors swirled about her sexuality and personal life, she decided to rock rather than talk, churning out Grammy-winning records and burning up the charts.
An old bar on Grand Rapids' West Side has been updated to look ... retro.
The new Tip Top Deluxe Bar & Grill is a throwback to the ‘40s and ‘50s with live rockabilly music, Southern cooking and a retro look. Opened last weekend, the Tip Top is the brainchild of Ted Smith, general manager of the Orbit Room, and Frank Lehnen, who owns Rocky's Bar & Grill in the North Monroe corridor.
Like a drive-through restaurant serving organic food, Los Angeles' Touche Amore will deliver some of its newest hardcore punk songs to GR on Wednesday, June 29 at the Pyramid Scheme.
Over the years Grand Rapids has had its fair share of quality music venues. From the oft-remembered classics such as the Reptile House, the Orbit Room and the old Intersection in Eastown, to new stalwarts like Founders, the DAAC, and MXTP just north of downtown, there has nary been a shortage of places to play.
It didn't take long for a little rock and roll anarchy to turn up at the newly re-launched Val-Du-Lakes Amphitheatre. The moment arrived just three songs into the first live set in more than a decade at the legendary outdoor theater. Sal Coz Costa, the lead guitarist for opening night opener My Darkest Days, invited fans to tip over a barricade fence and rush the stage.
After a year and a half performing live, the Kari Lynch Bandis creating quite the sensation. From playing out of state to doing shows in local bars, the small town country band has come a long way in a short time.
The Grand Rapids-based country band released its self-titled EP on Tuesday, May 17 on iTunes. The five-song CD showcases lead singer Kari Lynch, Matthew Kok on acoustic guitar, Ryder Jones on electric guitar, Sam Briggs on drums and Chris Bardolph on bass.
Matthew Forbush just spent $350 on Lady Gaga tickets. Now, this is a guy who takes pop seriously. "I'm really just a fan of the enormous amount of pop culture she represents," Forbush said. As frontman of Grand Rapids-based electro-pop duo Alexis, Forbush doesn't consider the world of pop an inferior one.
Twenty-three-year-old Lzzy Hale, the delectable driving force behind Halestorm, doesn't have to think about it for long. "I don't know if I have, actually," she replies when asked if she's ever made it through an interview without being asked The Question.
That's because girls in rock bands must always answer for being girls in rock bands. They must bear the palpitating burden of The Angle — so sexy, so obvious, so front-cover. It's a law. And even though respect is growing for her incredible talent (separate that from for her body), Hale isn't above it.
Trans-Siberian Orchestra Night Castle Released: Oct. 27 (Atlantic)
When one hears Trans-Siberian Orchestra, the term "Christmas band" comes to mind. Yes, the Orchestra has released multiple Christmas albums filled with symphonic rock versions of classics, but Night Castle proves TSO is more than a "Christmas band." Its latest release is better-suited for Halloween, with haunting melodies and an epic storyline built into the rock opera that takes up two-disks' worth of material. The story follows a young girl who sneaks out of her grandfather's beach house ("Night Enchanted") and meets a stranger building a sandcastle on the beach ("Childhood Dreams"). The album follows the stranger's experiences from when he traveled the world - something just as epic as the accompanying music. - Lindsay Patton-Carson
Rating: **** Key Tracks: "Night Enchanted," "Another Way You Can Die"
Githead Landing Released: Nov. 10 (Swim)
Githead rocks. Not in the loud, long-haired, arena-filling, leather-clad rock exemplified by Metallica or Joan Jett. Githead rocks because it creates its own blend of lo-fi/indie/electro rock (think Raveonettes) that makes the idea of owning a pair of Ray Bans that much more enticing. But just when you think you've got the band pegged, it churns out "Over the Limit," a throwback to Brit punkers such as the Sex Pistols and the Ramones, or a Pixies-esque "Lightswimmer." - Lindsay Patton-Carson
Rating: *** Key Tracks: "Landing," "Over the Limit"
The Very Foundation This Restless Enterprise Release Date: Dec. 2 (Unsigned)
For its third effort, Portland-based The Very Foundation raises the stakes with This Restless Enterprise. The sound achieved through the adroit hand of producer Pat Kearns (Guitar Romantic, Rise or Fall) has a mixed medium sensibility that pulls from all directions making for a dauntless rock album full of confidence, pipe organs, synths and snares. Sure there are traces of Burt Bacharach, Herb Alpert, Elvis Costello and Leonard Cohen, but trade in your detective kit and monocle for a good pair of headphones. This album was designed so one can get lost in between the spaces of what sounds like inspiration and what sounds like magic. ¬- S.A. Díaz
Rating: *** Key Tracks: "My Sweetest Defeat," "Runaway to Tokyo,"
mr. Gnome Heave Yer Skeleton Released: November (El Marto Records)
If you've never heard a voice shift shape before, listen to the mind blowing sophomore set from Cleveland's mr. Gnome, a duo comprised of guitarist/vocalist Nicole Barille and pianist/drummer Sam Meister. In track after track of Heave Yer Skeleton, Barille is more muse than conjurer, and comparisons to the likes of PJ Harvey and Joanna Newsome lose their face value quickly in the shadow of her talent. This chanteuse is charming in her own right. Dark melodies swim with her voice and each track is a tidal wave, smashing the senses and leaving the listener sublimely suffocated. This album does more than haunt; it positively possesses the listener and bludgeons the face of anything beautiful beyond the sounds of this impressive effort. - S.A. Díaz
Rating : *** Key Tracks: "Spain," "Slow Side"
Local Releases
The Effort The Effort Released: Nov. 30(Independent)
What The Effort does on its latest self-titled disc is meld pop and rock together to create songs that are nostalgic, yet fresh. The standout track, "It's Alright," is full of choruses, melodies and hooks that are straight pop/rock with a dash of New Wave. The album doesn't make the listener think too hard - it's a getaway album for long drives, or bounce-around moods - and it uses the winning formula of putting an emotional ballad ("Fall") in the mix, playing on a listener's every emotion. - Lindsay Patton-Carson
One would be surprised to hear that Lazy Genius is a local band. On "Let it Spill," the first track off Strange Plains, Dark Grooves, the band sounds more like it was part of the British Invasion. Immediately after, it switches gears and produces a gritty track ("Random Places") that one would swear came from Seattle. Lazy Genius plays with its listeners' ears throughout the album, switching from melodic, pop-tinged rock, to grunge and guitars, to opera-esque rock ballads ("Black & Blues"), the band keeps listeners in suspense with every track change. - Lindsay Patton-Carson
