Nearly 60 years after Buddy Holly’s tragic plane crash death Don McLean proclaimed “the day the music died” in his pervasive ’70s hit “American Pie,” The Barn Theatre has magnificently brought both Holly and his music back to life in “Buddy: The Buddy Holly Story.

In “All in the Timing,” David Ives’ 90-minute collection of six comic sketches, time circles back on itself, language is meaningless, monkeys as would-be Shakespeares overcome the death stare of the blank page, and the entire enterprise of human communication, not to mention the meaning of life and death, are called into question.

The word “magic” often gets thrown around in the theatre world, and rightfully so. When the right script and talent come together in the right time and place to positively transfix the right audience, there’s no doubt an extraordinary amount of work; but there’s also an indescribable element of magic. And when all those conditions collide at once it is a rare event indeed.

In 1974, America was post-Watergate; Nixon was out, and the disastrous economy under Carter was yet to come. The Vietnam War was over. Civil Rights had been won in the courts and the legislature, if not in the culture at large. Working class people had a political party that served their interests, and they could earn a living wage and be proud of the lives they could make from their labor.