Ryan Spencer Reed just wants to change the world. In 2004, the Calvin College alum sparked a national conversation on the War in Darfur with his photography, taking the exhibit on a university tour across the U.S. Since then, he’s worked as a photojournalist around the world.
To playwright Scott Phillips, life is meant to be funny, even when it doesn’t seem like it.
Raymond Harvey has led the Kalamazoo Symphony Orchestra for 18 years, but at the end of the 2016-2017 season, someone else will take the stand.
It depends on who you ask, but Gustave Flaubert’s literary masterpiece “Madame Bovary” is about either a hapless dreamer or an adulterous drama queen.
When patrons visit National Parks, they expect to hear the wild sounds of nature — the wolves howling, geysers churning and insects humming, but perhaps not plucked spines of an amplified cactus.
While recent improvements did little to directly change the attendee experience for shows at DeVos Performance Hall, they helped usher in a record-setting season for Broadway Grand Rapids.
That’s because the $350,000 in behind-the-scenes renovations approved two years ago made it possible for Broadway Grand Rapids to lure in bigger shows. The first of those larger performances, “Phantom of the Opera,” played its sold-out, 16-show run over two weeks in May.
The Gilmore Collection, owners and operators of restaurant facilities like The B.O.B., today unveiled details for the under-construction music venue in downtown Grand Rapids.
For the first time in 17 years, the Grand Rapids Symphony has a new music director. Marcelo Lehninger — replacing David Lockington, who held the position for 16 years — was the symphony's guest conductor in both February 2015 and April 2016.
Revue talked with Lehninger about his interests, his musical philosophy, and his plans for the symphony.
Simple shapes, large swaths of color and quasi-patterns dominate the abstract landscapes of Jeff Kraus’ canvases.
But the 31-year-old Grand Rapidian doesn’t want to tell you how to interpret his work. Rather, Kraus enjoys “the fact that each person can look at it and associate different things from their life onto it.” The art, which has been shown in galleries from Los Angeles to New York, is meant to be experienced rather than deciphered.
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