Review: MOVEMEDIA Diversity is a beautiful, innovative journey beyond gender

Written by Marin Heinritz | Sunday, 11 February 2018 12:56 |

There is no art form more embodied by or tethered to the human form than dance, and classical ballet historically capitalizes on romantic ideals of gender binaries. George Balanchine, arguably the most influential 20th Century choreographer of ballet, famously declared, “Ballet is woman.” Woman as femme, woman on the excruciating yet ethereal pedestal of the pointe shoe, and woman as lifted and held by man. As dance critic Alistair Macaulay points out, Balanchine’s “kind of ballet was always a man’s view of woman, and a solely heterosexual one.”

Review: ‘If/Then’ takes risks and executes well

Written by Marin Heinritz | Tuesday, 06 February 2018 10:46 |

Sometimes the most compelling thing about a performance is the connection the performers build with the audience. On Friday night, this is exactly what happened at the end of Actors’ Theatre’s fine production (and Michigan premiere) of Brian Yorkey and Tom Kitt’s mediocre “If/Then,” the 2015 musical remembered largely as a vehicle for “Wicked” and “Frozen” star Idina Menzel about a newly divorced 30-something urban planner who returns to New York City to start again only to question and double back on all the possible directions she might turn in terms of love and/or career.

REVIEW: WMU Winter Dance Gala proves ‘dance is ephemeral’

Written by Marin Heinritz | Friday, 02 February 2018 16:38 |

Western Michigan University Dance Department Chair Megan Slayter used pithy, yet powerful words to describe the 2018 Winter Dance Gala.

A few chosen actors in Grand Rapids will take part in a series of one-person performances of White Rabbit, Red Rabbit at Actors’ Theatre this month. The catch: They don’t get to see the script until opening night.

Whether it be the first time or a special occasion, the symphony and the cinema both make for excellent dates. And you can have it both ways when vocalists Diane Penning and Paul Langford join West Michigan Symphony for Hollywood’s Greatest Melodies, the weekend before Valentine’s Day.

Review: ‘Rock of Ages’ is a visual, musical, nostalgic delight

Written by Marin Heinritz | Sunday, 28 January 2018 18:26 |

Did any among us who lived through the 1980s ever think we’d long for them again? Who knew, thirty years later, the Reagan era would, indeed, appear to be a sexier time?

Review: ‘Waitress’ is the delightful culmination of astounding talent

Written by Dana Casadei | Wednesday, 24 January 2018 17:05 |

In Waitress, most of the show’s action takes place in Joe’s Diner, where three of the musical’s main characters — Jenna (Desi Oakley), Dawn (Lenne Klingaman) and Becky (Charity Angel Dawson) — are waitresses. But the diner does much more than just serve Jenna’s infamous pies to its customers. It’s where love is found, discoveries about the characters are made, fights are had, and yes, a lot of pies are baked.

Review: ‘Conviction of Lady Lorraine’ is inspirational, unique, multidimensional

Written by Marin Heinritz | Saturday, 20 January 2018 13:43 |

“When one door closes, another opens; but we often look so long and so regretfully upon the closed door that we do not see the one which has opened for us,” is a bit of wisdom attributed to Alexander Graham Bell. “The Conviction of Lady Lorraine,” written and performed by Dwandra Nickole Lampkin, is evidence of what wonderful things can happen when a driven, curious and inventive artist, amid a dream project, gets told no.

Review: Stellar performances, direction make ‘Baskerville’ a hilarious ride

Written by Marin Heinritz | Monday, 15 January 2018 15:08 |

Our attraction to the Victorian super sleuth Sherlock Holmes shows no signs of waning, though the character’s resurgence in the form of various American and British film and television adaptations has been underway for a good five years.

Review: ‘All The Way’ takes us on the demanding, knotty path to progress

Written by Kayla Tucker | Saturday, 13 January 2018 15:20 |

Grand Rapids Civic Theatre’s “All The Way” opens with the three dramatic gunshots that killed President John F. Kennedy, the mood was set somber as Vice President Lyndon Baine Johnson was sworn in as president.

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