Many artists experience a turning point — a personal crisis or epiphany, learning a new technique or taking a class, or reflecting on a negative critique or rejection — that propels them in a new direction.
Many people recognize and collect Edward S. Curtis’ portraits of Native Americans and canyon and desert landscapes in America’s west, but his real intent was to document the lives of the indigenous tribes he spent nearly 30 years studying.
Rube Goldberg is more than just a man — he’s also an adjective. Defined in the Merriam-Webster Dictionary as “accomplishing by complex means what seemingly could be done simply,” the iconic American cartoonist and illustrator’s work — including his famous invention drawings — will be on display this month at the Grand Rapids Art Museum in its latest exhibit.
Ready to board a plane for Mexico last May, recent Kendall College of Art and Design graduate Eana Agopian checked her email one last time.
Tomorrow, the smell of peonies, carnations, orchids and more will fill the halls of Grand Rapids Art Museum. Well, we don’t yet know exactly what flowers will be on display, but Art In Bloom is returning for the first time since 2015, bringing with it some can’t-miss events centered around the weekend exhibition.
After the sudden death of her brother during a hunting accident in 2002, metalsmith Renee Zettle-Sterling took an interest in how to channel grief and healing through the process of making art.
Pink bunnies, a life-size Trans Am, reclining Buddha — they have more in common than you think.
After watching ArtPrize explode as an international art competition, West Michigan native Tyler Loftis wanted to find a way to connect the art world in New York City, where he now lives and works as a painter, with his Midwestern roots.
Since beginning as an intern in 2010, Christopher Bruce has moved through every education position the Grand Rapids Art Museum has had to offer. Bruce said that experience gives him an interesting perspective for his new role as director of learning and creativity, as he’s seen what works, what doesn’t and why they tried it all.
David Shannon’s work has appeared in publications like The New York Times, Time and Rolling Stone, but he found a true calling by going back to his childhood roots.
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