“Everyone loves Tchaikovsky,” declared a man in the DeVos Performance Hall mezzanine on Friday evening. Whether this statement is true or not, Grand Rapids Symphony (GRS) Music Director Marcelo Lehninger knows his audience. Better yet, their tastes align with his own.
Julia is extraordinary, and, at 53, she should be tired of hiding. This is what the voices in her head tell her, anyway. They’ve kept her from sleeping for more than a week, and everyone she encounters lets her know how terrible she looks.
The fierce protagonist in Dominique Morisseau’s brilliant play “Sunset Baby” was named after Nina Simone. She was able to turn “the madness that rages inside” into power, “and that’s what we wanted for you,” Nina’s estranged father tells her.
Though relatively new to working in Muskegon’s downtown entertainment scene, Eric Messing recalls it as the place where he was first exposed to the performing arts.
Russian playwright Anton Chekhov and his life will be recreated onstage this month in a one-man drama, Anton, Himself: First and Last.
When we think of Lyndon Baines Johnson, 36th President of the United States, we tend to think of the Vietnam War. Not many know that just days after LBJ stepped in as president following the assassination of John F. Kennedy, he approached Congress with his first priority as president: the Civil Rights Act of 1965.
“Miller.” For many residents of Southwest Michigan, that one word conjures up visions of an auditorium that has spent 50 years as a backdrop for performers, making them laugh, cry, ponder and cheer.
This winter, a visual tour of Harlem will transport Kalamazoo Institute of Arts visitors to one of the most iconic communities in the world.
An array of unique art and site-specific installations that explore themes of identity, both personal and political, make up the UICA’s winter exhibition.
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