With a lineup that encompasses deep Afro-Cuban jazz, classic rock, country, comedy and dance, the 2015 summer concert series at Frederik Meijer Gardens & Sculpture Park is filled with perennial favorites and some new faces. 

This year’s season repeats 2014’s expanded schedule of 30 shows, which run between early June and early September. “It seemed like, because last year was so successful, that this was a good number to shoot for,” said Meijer Gardens spokeswoman Andrea Wolschleger. 

So you slept on snagging tickets to the Melvins show June 16 at the Pyramid Scheme. And, like clockwork, it sold out quickly. Well, we’ve got the next best thing: a conversation with guitarist/vocalist Buzz Osborne, the heavy-as-hell sludge band’s chief songwriter. 

King Buzzo chatted about the band’s latest LP, Hold It In, which features Osborne and drummer Dale Crover – but also Butthole Surfers members Paul Leary (guitar) and bassist JD Pinkus. The veteran doom band is also reissuing Electroretard on June 2 – it will be packaged with The Bulls & The Bees EP. Here’s what Osborne had to say.

Throughout the mid-to-late ‘90s, the ethereal image of a long-haired and lanky Marilyn Manson squirming about on stage while shouting about sodomy engrossed rebellious teens — but more importantly it horrified worrywart parents. That’s a trick from the ol’ Alice Cooper playbook: Terrify old people and the kids will flock to it.

For almost a decade, radio station WSRX broadcasted from the basement of the student center at Grand Valley State University — then Grand Valley State College. Lore has it that one enterprising and curious young man once took a hit or three of LSD and put in a 48-hour stint as deejay.

A rundown on notable news and events from the West Michigan music scene.

Michigan is responsible for spewing out some primal iconic garage rock bands. From high velocity acts like The Stooges and MC5, to the primitive sounds of the Gories, White Stripes and the Hentchmen – Michigan is notorious for its noise. But it’s not all about the Motor City.

Life on tour agrees with Colony House, and things have only gotten better since the group found a sound representational of its true inspirations. Since two of the members are children of Steven Curtis Chapman, a Grammy-Award winning Christian singer-songwriter, the pressure from record labels to head in their father’s direction could have nudged Colony House to follow someone else’s vision. But the trio has ultimately played to their strengths to churn out melodic, guitar-driven indie rock. 

More than a decade after hitchhiking his way out of small town Illinois, singer-songwriter Pokey LaFarge has come to proudly embrace his Midwestern roots. Fresh-faced and 17, LaFarge left home in 2001 with little more than a mandolin, an honest appreciation for American history – both musical and otherwise – and the sort of audacious ambition only greats like Hemingway and Kerouac can rouse in a young man.

Even though Built To Spill founder Doug Martsch has been an indie-rock icon for more than two decades with a direct influence on bands like Modest Mouse, Death Cab For Cutie and others, he remains humbly honest about what he does for a living and his title as an innovator.

Two California-based post-hardcore bands, A Lot Like Birds and I the Mighty, open the ’68 show at The Stache. The two bands, both on the Equal Vision Records imprint, are no stranger to the road or touring together.