“It’s very hard to keep personal prejudice out of a thing like this,” says righteous Juror #8 in the stage production of 12 Angry Men that opened The Barn Theatre’s 79th season. “Wherever you find it, prejudice obscures the truth.”

It’s the hottest day of 1954 in New York City with no AC and a broken fan when a jury of 12 white men start peeling off their sport jackets and loosening their ties because one of them isn’t willing to send a 16-year-old to the electric chair so the jurors can quickly move on with their lives after the three-day trial and stop being inconvenienced. 

Dead teenagers in a macabre amusement park limbo making a pitch for why they should get to return to their lives is far more amusing than might be expected in “Ride the Cyclone”, a wildly charming musical currently in production at Farmers Alley Theatre in Kalamazoo.

In the worldview of Dixie Longate, Alabama’s fast-talkingest, gum-smacking, snort-laughing, highest-grossing Tupperware Lady, you can be one of three things: a cherry bomb, a bottle rocket, or a dud.

Deos Contemporary Ballet’s 2024-2025 season finale, Awaken 25, reflected the mood of our times, offered a balm via movement, and showed the small but mighty company’s artistic and stylistic range in the wonderfully intimate space of Gezon Auditorium at Calvin University.

The next best thing to being a good person is appearing to be one, which is why four Broadway stars—well, two Broadway stars, one chorus member, and one actor-turned waiter—decide to find a cause to take on. Poverty’s too big, so they nix that idea. But reforming a small Indiana town that canceled prom rather than let a lesbian attend with her girlfriend? Easy as Hoosier pie. So they think, anyway, in The Prom, onstage at Circle Theatre, May 15-31. The musical takes a warm-hearted, funny look at the trouble we can get into when trying to do good, and the good that can result from it anyway. 

As a haven for the arts, it’s no surprise West Michigan is home to a vibrant and diverse dance scene. We have a number of companies providing both classical ballet and contemporary dance at the highest level, constantly pushing dance to new spaces and new heights.

"I want the fairytale” reads a T-shirt for sale at DeVos during the run of Pretty Woman: The Musical. It echoes the iconic line from the 1990 film starring Julia Roberts and Richard Gere. Much of the musical, in fact, is an echo of that celebrated rom-com and takes the fantasy of the film’s story to the next level by putting it to music. 

Grand Rapids Ballet’s 2024-2025 season finale “Be Here Now” promised to capture the spirit of the 1960s but in ways far more nuanced and complex than the audience members who show up wearing giant round pink-tinted glasses, mod floral print mini dresses, and white go-go boots expect. 

Daniela Liebman was 11, maybe 12, when it began to make sense. She had moved to Texas, where she was studying piano with Tamás Ungár. She was practicing the opening of a Mendelssohn piece on a little upright piano, trying to understand what a festival teacher was explaining, when suddenly she did. 

Arts exhibitions and performances have returned in full swing to West Michigan. This season, there’s absolutely no shortage of concerts, symphonies, plays, musicals, ballet, visual arts and beyond. We have big Broadway shows, intimate and progressive plays, live performances with symphonies, dancers taking to the stage, and powerful art exhibitions. Here’s our guide to arts events for the month.