At five years old, Kelly Allen turned a plastic trash can into a loom to weave bookmarks while she watched cartoons.
A pair of 15th century engravings by Martin Schongauer, a 17th century etching on paper by Rembrandt, and Adonna Khare’s ArtPrize 2012 winner Elephant Whirlpool exemplify the diversity of recent gifts, promised gifts and art purchases at Grand Rapids Art Museum.
The jewel-toned colors of the walls — in hues of dark purple, blue and magenta — will probably be what catches your eye first. Once inside the gallery though, you’ll find a lot of eyes looking back at you.
Once one of the elder statesmen of Grand Rapids’ art scene, Armand Merizon continued to paint as his vision failed him, calling on instinct and experience as he put brush to canvas.
Every year, Tanglefoot creates a homecoming for the local artist community by opening its doors and welcoming everyone into its studios.
This October, one of the longest-running and farthest-reaching exhibitions to ever take place will end its 25-year run with a stop at the Kalamazoo Institute of Arts.
With two exhibitions debuting, and another being showcased throughout October, the Grand Rapids Art Museum has quite a lot going on this fall.
It started with cans of tuna, corn and beans. Then Tom Kiefer saw the more touching items — clothing, Bibles, rosaries and family photos — tossed out as trash, and couldn’t let them be.
After spending her day job staring at a screen for hours on end, Kelly Kermode found herself needing a release, so she returned to an old love: pottery.
A typical day in the life of Miranda Krajniak involves an Uber through the stop-and-go traffic on Monroe Center Street, asking her driver what they think of the bright, yet stormy mural of an angelic, silver woman outside the window. After giving their full opinion, the driver learns exactly who their passenger is: the executive director of the Urban Institute of Contemporary Art, and she has been on the forefront of most of Grand Rapids’ major street art installations over the past five years.
© 2018 Revue and Revue Holding Company