Although the road has become their home over the last 18 years, hard-touring alt-country-rockers Lucero are still rooted in the musical legacy of their hometown of Memphis.
“We are stewards of Memphis and Memphis music no matter where we go,” bassist John C. Stubblefield told Revue. “It’s who we are and it’s definitely what we represent. Our stage show is sort of a sovereign travelling state of Memphis, Tenn.”
In the words of Dante Hicks, tortured convenience store jockey called into work on his day off, “I’m not even supposed to be here today!”
In fact, the last time this writer booked multiple shows for a touring musician was probably over three years ago. The last time I wrote for an entertainment publication was 2007. But here we are — for one very important, very inimitable and very legendary reason: Victor Villarreal.
I have briefly come out of my retirement from booking shows (and writing about them, apparently) to set up dates with Villarreal at Camp H Skate Park on March 25 with Charles Rogers and Momentai and on March 26 in Hamtramck, with Bars of Gold and Mountain Club.
Way before the massive, multiplatinum success of the megahit single “Sail,” AWOLNATION mastermind Aaron Bruno could feel like a king for a day in only one place: Grand Rapids.
The reason: Our fair city actually heard his previous band, Under The Influence of Giants, on the radio when almost no one else in the country had.
Although he’s now revered as the enigmaticfrontman for multi-platinum prog-metal juggernauts Tool and A Perfect Circle, Maynard James Keenan has a long history here in West Michigan.
This month, his current project — the performance-art meets alt-rock outfit Puscifer — plays somewhat of a homecoming show at DeVos Performance Hall.
Here’s what he had to say about Puscifer’s decade-long development and the band’s new Money Shot LP.
“Grand Rapids is the only place in America that celebrates VD,” blares Monoxide Child, one half of Detroit-based rap duo Twiztid. The rap/rock ensemble is playing the Intersection on Valentine’s Day and he’s using the occasion to play with words, which is his stock-in-trade.
Seconds into talking with Marc-Andre Chagnon, aka Marx Menace, of the Montreal electro trio Black Tiger Sex Machine, it becomes obvious: 2015 was the most insane year of his life.
For some, Valentine’s Day is a time when lovers bask in each other’s undying devotion and blissful happiness. For others, like bassist Mike Ayley of emo-pop outfit Marianas Trench, it’s just another strange and confusing holiday. “Over the years I’ve become the most hopelessly romantic pessimist you’ll ever meet,” Ayley told Revue. “I’m a sucker for love, but have been jaded so many times.”
To say that Lamb of God helped usher in the new wave of American heavy metal in the early 2000s might understate the band’s significance in that movement. The Richmond, Va.-based band’s second album, New American Gospel, actually made Revolver Magazine’s list of the “69 Greatest Metal Albums of All Time,” and its follow-up records have done nothing short of establish the group as one of metal’s most important and influential players.
Given his pedigree — producer of platinum and revered maestro — Todd Rundgren’s opinion carries some weight and he’s fearless in expressing it. Let’s start with Adele, whom he calls “a victim singer.”
Although the new movie Fan Girl is a wish-fulfillment for steadfast All Time Low fans, it’s also an astonishing honor for the chart-topping pop punk band. “To have a movie out there that loosely revolves around us means we’ve had some kind of impact on society as a whole,” All Time Low vocalist/guitarist Alex Gaskarth told Revue. “That is crazy to think about.”
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