17th century writer, lawyer, and politician William Prynne wrote that “popular stage-playes are sinfull, heathenish, lewde, ungodly spectacles, and most pernicious corruptions.” Given that relatively widespread attitude, it’s perhaps unsurprising that English women weren’t allowed to act onstage.
The 2025-2026 Grand Rapids Ballet season has been record breaking in its numbers of ticket subscribers, and it’s ending with a bang. In The Countenance of Kings is an exquisitely high-octane celebration of the present and future of ballet, according to Michigan’s only professional classical ballet company.
In his heyday, Oscar Levant was a household name. A celebrated mid century composer, conductor, and concert pianist, he took turns on Broadway as a musician, and in Hollywood as an actor in feature films, including a role as Gene Kelly’s wingman in An American in Paris.
So much has changed on Broadway in the last 30 or so years in the ways big, live theatre productions push boundaries to transform theatre into artful spectacle unique to live performance. However, Disney’s The Lion King remains the same, for better and for worse.
The Irving S. Gilmore International Piano Festival is, not to put too fine a point on it, enormous. 2026’s festival brings over 75 events to many venues in multiple cities over a little less than two weeks (April 30th through May 10th).
Less than one month after record-breaking ticket sales for Swan Lake, this season’s big storybook ballet, Grand Rapids Ballet offered their annual performance of new short works choreographed by the dancers themselves. “This is going to be NOT Swan Lake,” said Artistic Director James Sofranko in his opening night curtain speech.
Known as the “Mother of Modern Dance”, Martha Graham wrote in her memoir Blood Memory that “the reason dance has held such an ageless magic for the world is that it has been the symbol of the performance of living.”
Grand Rapids Civic Theatre recently announced its Centennial Season, featuring eight titles to be produced by one of the oldest and largest community theatres in the nation.
What if Juliet doesn’t kill herself in William Shakespeare’s enduring 16th Century tragedy “Romeo and Juliet”? This question, asked of Shakespeare himself by his wife, Anne Hathaway, is the inciting incident of “& Juliet.”
In the Kalamazoo arts community, March signifies a time to celebrate, explore, expand, and enjoy the radical endeavor of making and sharing dance. This year’s Midwest Regional Alternative Dance Festival, aka RADFest, hosted by Wellspring, gathered dance makers, students, and dance enthusiasts for four solid days of masterclasses, performances, films, celebrations and more.
Audience members’ heartbeats synchronize while experiencing live performance, studies have shown, and during Farmers Alley Theatre’s production of “Misery”, the embodied suspense is palpable—shoulder to shoulder in the intimate space of their black box theatre, you can feel everyone’s heartbeat speed up, along with your own, at high valence moments.
Arts exhibitions and performances have returned in full swing to West Michigan.
Western Michigan University’s Department of Dance is world class, and their Winter Gala Dance Concert showcases the extraordinary and collaborative talents and terrific professionalism of its students, faculty, and guest choreographers.
With six brand new short plays, three directors, and 11 actors, “Freedom Isn’t Finished”, presents a powerful start to Face Off Theatre Company’s 11th season in this stunning 90-minute theatre festival.
