Takács Quartet celebrates 45th season of connecting with audiences

At Farmers Alley Theatre, a Christian baker decides whether same-sex couples people can have her cake

A thoughtful, inspired rendition of ‘My Fair Lady’ is coming to Wharton Center 

With 'Humanae,' SCA explores the incredible diversity and complexity of all people

Two UICA exhibitions are celebrating the black experience from different perspectives

WMCAT’s iBall supports and celebrates the organization’s extensive work in the community

As Kahlil Ashanti ended his first performance of Basic Training, the audience’s reaction wasn’t quite what he had been expecting.

In a New Yorker profile published soon after the Public Theater’s premiere of Hamilton, Lin-Manuel Miranda discussed early theatrical influences, including Les Miserables, Cats and Phantom of the Opera. Of the latter, he said, “I saw Phantom and I was like, ‘Oh, shit!’ Because it’s about an ugly songwriter who wants to impose his will on the world. I related to that.”

The Kalamazoo Civic’s production of “Tick, Tick . . . Boom!” is a blast from the past, a rocking homage to Generation X through one artist’s fear of turning 30 — entailing fears of failure, commitment, selling out, death. You know, the little things.

Late in the year 1992, a theatrical group in Springfield put on a show called Oh, Streetcar! The show, a musical version of Tennessee Williams’ A Streetcar Named Desire, opened with a warning about New Orleans (“If you want to go to Hell, you should take a trip/To the Sodom and Gomorrah of the Mississippi”) and ended with a rousing, upbeat number about the kindness of strangers.