As Kahlil Ashanti ended his first performance of Basic Training, the audience’s reaction wasn’t quite what he had been expecting.
In a New Yorker profile published soon after the Public Theater’s premiere of Hamilton, Lin-Manuel Miranda discussed early theatrical influences, including Les Miserables, Cats and Phantom of the Opera. Of the latter, he said, “I saw Phantom and I was like, ‘Oh, shit!’ Because it’s about an ugly songwriter who wants to impose his will on the world. I related to that.”
The Kalamazoo Civic’s production of “Tick, Tick . . . Boom!” is a blast from the past, a rocking homage to Generation X through one artist’s fear of turning 30 — entailing fears of failure, commitment, selling out, death. You know, the little things.
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