Melodies in the Museum

Written by Megan Sarnacki | Tuesday, 28 January 2020 14:28 |

The GRAM’s Sunday Classical series brings master musicians to the galleries

Exchanging Energy

Written by Megan Sarnacki | Tuesday, 28 January 2020 14:27 |

Takács Quartet celebrates 45th season of connecting with audiences

And Eat It, Too

Written by Dana Casadei | Tuesday, 28 January 2020 14:25 |

At Farmers Alley Theatre, a Christian baker decides whether same-sex couples people can have her cake

Fair Play

Written by Dana Casadei | Tuesday, 28 January 2020 14:23 |

A thoughtful, inspired rendition of ‘My Fair Lady’ is coming to Wharton Center 

Oh, the Humanity

Written by Marla R. Miller | Tuesday, 28 January 2020 14:21 |

With 'Humanae,' SCA explores the incredible diversity and complexity of all people

Beautiful Blackness

Written by John Kissane | Tuesday, 28 January 2020 14:19 |

Two UICA exhibitions are celebrating the black experience from different perspectives

Eye Contact

Written by Josh Veal | Tuesday, 28 January 2020 14:12 |

WMCAT’s iBall supports and celebrates the organization’s extensive work in the community

‘Basic Training’ is a profound one-man tour de force

Written by Dana Casadei | Friday, 24 January 2020 15:23 |

As Kahlil Ashanti ended his first performance of Basic Training, the audience’s reaction wasn’t quite what he had been expecting.

Review: ‘Hamilton’ in Grand Rapids goes above and beyond expectations

Written by John Kissane | Friday, 24 January 2020 10:02 |

In a New Yorker profile published soon after the Public Theater’s premiere of Hamilton, Lin-Manuel Miranda discussed early theatrical influences, including Les Miserables, Cats and Phantom of the Opera. Of the latter, he said, “I saw Phantom and I was like, ‘Oh, shit!’ Because it’s about an ugly songwriter who wants to impose his will on the world. I related to that.”

Review: ‘Tick, Tick … Boom!’ explosively explores the time bomb of life

Written by Marin Heinritz | Monday, 13 January 2020 13:47 |

The Kalamazoo Civic’s production of “Tick, Tick . . . Boom!” is a blast from the past, a rocking homage to Generation X through one artist’s fear of turning 30 — entailing fears of failure, commitment, selling out, death. You know, the little things.

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