Review: ‘Bullets Over Broadway’ goes above and beyond

Written by Marin Heinritz | Thursday, 16 August 2018 17:56 |

The terrific 1994 Oscar-winning black comedy “Bullets Over Broadway” is a theater lovers’ film. It is for this reason — amid so many, many more reasons — it makes for such a great adaptation for the stage. Though the musical opened on Broadway in 2014 to mixed reviews, it’s a wondrous achievement at The Barn Theatre in Augusta.

Review: Warm and unpretentious, ‘Cowboys’ is a rollicking good time

Written by Marin Heinritz | Wednesday, 15 August 2018 16:14 |

To walk into The New Vic Theatre is to happen upon four dudes dressed as cowhands, sittin’ on bales of hay around an ersatz campfire making beautiful music. Somehow it feels as natural as can be, especially as welcoming as they are to the folks meandering to their seats.

Review: Barn’s ‘Beauty and the Beast’ is big, bold and beautiful

Written by Marin Heinritz | Thursday, 02 August 2018 21:12 |

When Beauty and the Beast hit Broadway in 1994 it was a spectacle the likes of which hadn’t ever before been seen onstage. The first of the Disney animated films sprung to life as a Broadway musical, it transformed the magic Disney formula of classic fairytale that tugs at the heartstrings and teaches a larger lesson with dynamic characters, beautiful songs, and just the right amount of humor — and amplifies it for the stage.

At World’s End: How Barn Theatre finds success in variety and disaster

Written by Jane Simons | Tuesday, 31 July 2018 17:36 |

Typically in theater, when something goes wrong, it’s not the end of the world. Disaster! is one huge exception.

Love Song: Mason Street Warehouse’s 'Once' is a special kind of musical

Written by Kayla Sosa | Tuesday, 31 July 2018 17:34 |

A classic love story driven by the power of music is sure to win the hearts of many in Saugatuck. Presented by Mason Street Warehouse, Once follows a Dublin street musician down on his luck who becomes inspired to keep going when a young woman is enchanted by his “haunting love songs.”

Heritage Theatre is taking a dark turn with Stephen Sondheim’s Assassins, diving into the minds of famous assassins across history.

Review: ‘Dixie’s Never Wear a Tube Top’ is a joyful, rowdy delight

Written by Marin Heinritz | Thursday, 26 July 2018 11:35 |

Dixie Longate is the brainchild of Kris Andersson, who both created and plays the fabulously sassy, bawdy, twangy fast-talking, gum-smacking, hard-drinking, glamorous, shameless truth-telling, Tupperware-slinging, nymphomaniacal motivational speaker whose high-energy shows are like exceptionally-timed stand up.

Review: Hope Summer’s ‘Godspell’ has a lot of talent and a clear audience

Written by Marin Heinritz | Wednesday, 25 July 2018 17:47 |

There are some shows for some audiences that never grow old. No matter how dated the music or how lacking in narrative beyond that which the audience brings to it, “Godspell” is one of those shows, and perhaps for nowhere more than conservative Christian stronghold Holland, Michigan.

Review: ‘The Producers’ is wickedly funny, no holds barred

Written by Marin Heinritz | Wednesday, 25 July 2018 16:59 |

What’s not to love about a gleeful, limp-wristed Adolf Hitler surrounded by exquisite, sparkling show girls donning giant bratwurst and pretzels? Absolutely nothing. And this is but one highlight of many hilarious spectacles among many in Farmers Alley’s “The Producers,” the theater’s 10th anniversary season closer and biggest production to date.

Review: One talented woman weaves a powerful, epic tale in ‘An Iliad’

Written by Marin Heinritz | Thursday, 19 July 2018 13:09 |

Dramatizing war and its effects often makes the most potent anti-war statement among art forms. Therefore, it is for good reason there is a long list of deeply moving anti-war plays, from Aristophanes’ “Lysistrata” to Euripides’ “The Trojan Women” written in the 5th Century to Brecht’s “Mother Courage and Her Children” and rock musical “Hair” in the 20th Century and beyond.

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© 2018 Revue and Revue Holding Company

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