A painting is never really done for Jean Stevens.
The Kalamazoo-based artist said she’ll sometimes take down a painting hanging on the wall of her Park Trades Center studio and add a few more brush strokes of color to it.
When you hear the word “embroidery,” you might not immediately think “artform,” but for Carrie Burch of Stitch Folks, embroidery is just as much a medium of art as painting or sculpture. An Ohio native, Burch is a graduate of Biola University in Los Angeles and a five-year resident of Grand Rapids. Her embroidery company, Stitch Folks, has been featured in Magnolia Journal and Better Homes and Gardens. The success of her online Etsy shop continues to grow month to month, bringing in dozens of new orders, each one as exciting as the last.
Popeye, boxing gloves, skulls, speaker cones, even UFOs — references to events and symbols from 20th century popular culture permeate the work of the late Billy Mayer, a well-known and well-liked Hope College art professor.
The idea to document the Work Progress Administration and the Farm Security Administration during the late 1930s through photography was an idea well ahead of its time, according to Michelle Stempien, curator of education for the Kalamazoo Institute of Arts.
At first glance, the large-scale wall installations and sculptures look like succulents and flowers, multi-colored woven rugs, moths and butterflies.
Half a century later, the contemporary glass movement continues to gain momentum with competitions, exhibits and college programs. With Global Glass: A Survey of Form & Function, the Kalamazoo Institute of Arts is diving into this unique art movement.
Every summer, set along boardwalks, in waterfront parks and on closed-off city blocks, art fairs take over the lakeshore with handcrafted jewelry, paintings, pottery, photography, sculpture and much more.
It was a truly unique night at the Urban Institute for Contemporary Arts last night with the first ever Off the Wall fundraising event. As I was leaving the event, feeling inspired and blessed to have seen so much talent in just three hours, I hoped that the UICA makes this an annual event, and I can safely assume the happy audience around me felt the same.
Ultra-realistic sculptures. Picasso prints. Vintage motorcycles. Local 1950s racing photos. And masterpieces from the Edward Curtis: The North American Indian collection.
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